A Play for Today

by Ben Soton

Les Blancs by Lorraine Hansberry, National Theatre 2016 archive recording. 150 mins. Free on the National Theatre's YouTube channel until January.

Les Blancs, which translates literally as ‘The Whites’, is a brilliant critique of European imperialism’s role in Africa. Set around a mission providing medical care to the local population in an African colony, the play takes the form of a series of arguments between the characters who range from anti-imperialist to colonial oppressor. The actors without exception play the characters well – in particular, Dani Sapani who plays the anti-imperialist Tshembe Matoseh recently returned from Europe.

In true anti-imperialist style, Tshembe makes it clear that he does not hate white people only those who oppress Africa. Whilst expressing solidarity with the European working-class, Les Blancs does not therefore pander to elitist ‘woke’ guilt that holds all white people responsible for the crimes of imperialism. This attitude hinders anti-imperialism as well as being incorrect.

On the other hand, Mayor Rice, played by Clive Francis, exposes the mind-set of the colonial oppressors. They see Africa as their home and describe its iconic scenery and beautiful sunsets; perfectly fine, although it should be added that this can be found in Europe as well. The problem is they see the Africans not as people but as part of the landscape and little better than the wildlife.

It is often said that the colonialists treated Africans as children but, as a rule of thumb, children grow up and leave home – in other words, gain independence. This is where the similarity ends; a better term might be pets.

The play is set entirely in the grounds of the mission, and as it progresses characters move on and off the set. The existence of the mission is a subject of some of these discussions. It is pointed out that although the intentions of those who established it may have been well meaning, the mission has itself become part of the problem. As Tshembe points out, for every germ the mission has eradicated it has probably infected people with three.  The play ends symbolically with the mission being burnt down.

A rousing performance!

Review

By Mark Campey

Rouse ye women!, a play by John Kirkpatrick and Neil Gore.

A play by Townsend Productions is just starting out on a national tour and tells the true story of the women chain makers of Cradley Heath, Birmingham, who went on strike in 1910 in a fight to end low pay and establish a minimum wage. They were victorious after a long struggle against the chain manufacturers who sub-contracted work out to agents known as ‘foggers’.

These foggers supplied the iron rods, and would take a cut of 25 per cent from the women chain makers who were working 12–13 hours per day hammering up to 5,000 links per week for a pittance whilst also having the burden of domestic chores and childcare. The women had originally worked in isolation from each other but trades union activism brought them together through Mary Macarthur, suffragist and general secretary of the Women’s Trade Union League.

Macarthur exposed the terrible conditions of the ‘sweated labour’ and the National Anti-Sweating League was formed. Her activism in the National Federation of Women Workers (NFWW) helped to pressurise the Liberal government into passing the Trades Boards Act to set minimum rates in four low=paid trades. Many employers signed up to the white list of those paying the new rates but some resisted, which led to the Cradley Heath lockout lasting for nine weeks before the rebellious employers caved in. The women’s new rates were double the old rates.

This play provides the message that individually workers are vulnerable to exploitation, but together and with a determined leadership they can be powerful enough to take on the bosses and win. The accompanying songs are rousing and in keeping with their previous productions; the excellent cast encourage the audience to join in with the singing and red flag waving.

“Workers of the world unite, you have nothing to lose but your chains” seems an appropriate slogan here.