Sharpe’s Storm by Bernard Cornwell, Harper-Collins. Hbk: 2025, 368pp, rrp £22.00. Sbk: 2026, 368pp, rrp £9.99. Audio: 628 minutes, rrp £17.99.
This is Bernard Cornwell’s 24th novel in the Sharpe series – set in 1813, as the British army along with their Spanish and Portuguese allies advance into France during the Napoleonic wars. Most of the Sharpe novels are set during the war with France when Britain was aligned with the absolute monarchies of Prussia, Russia and Austria. So I wouldn’t imagine the Sharpe saga, with its glorification of war, especially a conflict where this country was arguably on the wrong side, to be especially popular on the left.
What of the character Sharpe? Richard Sharpe was born around 1780 in poverty, becomes involved in crime. In the television series, Sharpe, played by Sean Bean, is a Yorkshireman; in the original novels he is a Londoner. He eventually joins the army and begins a successful military career. So successful that he is given a commission by Arthur Wellesley, the first Duke of Wellington. This gives him both strength and vulnerability. On the one hand he is Wellington’s man, giving him a degree of protection. But he lacks the wealthy connections of most other officers and therefore Wellington can easily break him as he could make him.
For this reason Sharpe is often given dangerous missions; in the case of Sharpe’s Storm Admiral Sir Joel Chase. has been tasked by Wellington to overview the river Ardour, check its bridges and examine the possibility of getting warships down it. This is made increasingly difficult as the events take place during a storm. Although Sharpe is admired by the military top brass, he still manages to make enemies amongst junior officers from the ranks of the gentry. In this story Sir Nathaniel Peacock, a man who obviously bought his commission and with limited experience, is a liability. Peacock continually reminds Sharpe of his social superiority; which Sharpe is able to brush off with a degree of humour and sarcasm.
The idea of Sharpe is based on the notion that the ruling class, which may contain a few bad apples (anyone who has watched the news recently knows that it is more than just a few), is fundamentally good, recognises talent and is willing to occasionally bring in new blood. This positive view of the ruling class explains why the series is popular on the right. Sharpe, although a fundamentally decent individual, has absolutely no concept of class loyalty. Meanwhile the character also has deep insecurities; which emanate from the knowledge that he may never be fully accepted. Thus accepting the limitations of meritocracy. Sharpe is ultimately a mercenary for his own ruling class.
What of the character Sharpe? Richard Sharpe was born around 1780 in poverty, becomes involved in crime. In the television series, Sharpe, played by Sean Bean, is a Yorkshireman; in the original novels he is a Londoner. He eventually joins the army and begins a successful military career. So successful that he is given a commission by Arthur Wellesley, the first Duke of Wellington. This gives him both strength and vulnerability. On the one hand he is Wellington’s man, giving him a degree of protection. But he lacks the wealthy connections of most other officers and therefore Wellington can easily break him as he could make him.
For this reason Sharpe is often given dangerous missions; in the case of Sharpe’s Storm Admiral Sir Joel Chase. has been tasked by Wellington to overview the river Ardour, check its bridges and examine the possibility of getting warships down it. This is made increasingly difficult as the events take place during a storm. Although Sharpe is admired by the military top brass, he still manages to make enemies amongst junior officers from the ranks of the gentry. In this story Sir Nathaniel Peacock, a man who obviously bought his commission and with limited experience, is a liability. Peacock continually reminds Sharpe of his social superiority; which Sharpe is able to brush off with a degree of humour and sarcasm.
The idea of Sharpe is based on the notion that the ruling class, which may contain a few bad apples (anyone who has watched the news recently knows that it is more than just a few), is fundamentally good, recognises talent and is willing to occasionally bring in new blood. This positive view of the ruling class explains why the series is popular on the right. Sharpe, although a fundamentally decent individual, has absolutely no concept of class loyalty. Meanwhile the character also has deep insecurities; which emanate from the knowledge that he may never be fully accepted. Thus accepting the limitations of meritocracy. Sharpe is ultimately a mercenary for his own ruling class.




