Film review: Macbeth
by Daphne Liddle
Directed by Justin Kurzel; starring Michael Fassbender,
Marion Cotillard, Paddy Considine, Sean Harris, Jack Reynor, Elizabeth Debicki
and David Thewlis. 113 minutes.
THIS IS a very powerful film which definitely benefits from
being seen on the big screen. It is shot in chiaroscuro through the ever
changing rain and mist against a backdrop of the glorious Scottish landscape,
in which characters emerge from the mist, say their piece, do their deeds and
then merge back into the mist.
The Bard’s original play has been edited a bit but all the
important scenes are there, showing the familiar story of a good man, nudged by
prophesy from the three witches, into ambition and an opportune murder that
will set him on the throne and on the road to hell.
Once he has committed the crime he must cover up by
committing more and more shocking murders until he has become a paranoid
tyrant.
The play opens with the “Battle of Ellon”, close to Cruden
Bay where in a real battle in the 11th century the Scots under their
King Malcolm II (father of the King Duncan in the play) defeated an attempted
Norwegian Viking invasion led by young Canute, later to become King of England.
A couple of scenes are changed from the original – the
murder of Lady MacDuff and her children, as revenge for MacDuff’s defection to
the camp of Malcolm, son of the murdered King Duncan, is not in her castle at
Firth. Instead Macbeth has them captured and brought to be burnt at his castle
at Dunsinane. This is a scene that drives Lady Macbeth insane with horror and
guilt.
And in the final battle where Birnam Wood “comes to
Dunsinane” it is not carried as branches for camouflage but set on fire and
comes as fire, red smoke and a cloud of ash so that the final battle between
Macbeth and MacDuff happens in a fiery red haze.
Throughout the film there are bystanders standing still,
wrapped in long black cloaks against the wind and rain – impossible to
distinguish man from woman – like a Greek chorus, witnessing everything.
The three witches are also dressed in long black cloaks
pulled tightly about them. There is no Hecate but there is a girl of about
eight-years-old with them. They appear from the mist, say their piece and
disappear back into the mist.
In the final scene, after Macbeth is killed by MacDuff, Fleance,
a young boy and son of the murdered Banquo, appears and picks up Macbeth’s
sword – hinting that one day he will be king and be the founder of a long line
of kings – including James I of England and VI of Scotland – for whose benefit
Shakespeare wrote the play.
The three witches then appear, take a good look, turn and
walk away with an air of “job done”.
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