Friday, July 11, 2008

My Childhood mate -- John Lennon


by David Ashton


MY FIRST recollections of my mother were on the night of a late bombing raid during the 1939-45 war. We, my sister Pauline and myself, had gone into our Anderson Bomb Shelter, at the back of our Liverpool home. I was hugging my Golliwog, called Golly who got me through the worst of the blitz krieg, with his love for me, lying on my bunk bed.
The adults: Mother, (our Dad was on fire watch duty in Liverpool) and our neighbours called Meakin from next door and Miss Newman, were stood outside looking up at the sky, watching the searchlights pinpointing the German bombers. The Polish Air force Hurricane Squadron based at Speke Airport defended Liverpool and saved us from the worst of the Nazi onslaught. John and I suffered terribly from the war; we saw dead bodies piled up in the street. My mother put a coat in front of my eyes and for years she denied that it had happened.
John told me that he’d had similar experiences. It really was the basis of John’s search for peace. John, like me, was very much committed to peace because we had that trauma of war. But when the men came home there was no time to listen to our childhood traumas.
As kids we were afraid that if our houses got bombed we wouldn’t be able to get out. Every 20th house was given a ladder.
When I was five John and I drew pictures of us jumping out of our houses onto the ladder some of these pictures turned up just two years ago, after my Mum died.
Dialectically I wish to argue that the aftermath of war gave our generation a great deal of freedom, which may have helped to feed John Lennon’s extraordinary imagination, which was growing up in progressive working class Liverpool. But when the men came back from war they were shaken up. They’d killed. They’d been brutalised. They were violent. You’d be sitting down having your dinner and all of a sudden the food would go flying across the room.
The women had to try and cope with it, and that gave us kids a lot of freedom to wander as far as we wanted without supervision. We’d go to “Speakers’ Corner” at the Pier Head where a world of ideas would be pulled apart and discussed in an informed, intelligent way. Liverpool was a major port. There were people from every nationality: Ulster’s Orangemen, Jews, Muslims, Arabs, Africans – every race and creed on earth. I don’t think we’d be more than five or six. Such was the wonder world of the Woolton, Liverpool of our childhood. It was there were we learnt about “Dialectical Materialism as the Ultimate Foundation of Working-Class Analysis”, and in identifying solutions to complexities like the “Current Food, & Political/Economic Problems of today”!
In the case of John Lennon that wonder was overshadowed by tragedies that marred his childhood and scarred the rest of his life. John had a very troubled childhood. He had experienced the war. He had lost his mother when his Aunt Mimi took him away from her; then he lost her again when she was knocked down and killed by a drunken policeman after John had only just got to know his mother again. When she died John talked to me.
Mimi more or less kidnapped John with the help of Liverpool Corporation Social Department because John’s mum, Julia, was, as they called it in those days, “living in sin”. She had a child out of wedlock with a lovely man who she had taken up with since her own man, a seaman, had not returned after the war. Aunt Mimi denied that John had got a mother or sisters.
But John had a very progressive uncle who told John where his mother was. It wasn’t far from where John was living. So we got on our bikes and went to see her. I would have been seven or eight. That was the first time John seen her for years.
It was of course very emotional. Julia, John’s mum was very tactile and kissed us both and we talked and talked. She was always very kind to me, as she was to all of John’s friends. She was herself a loving, kind, progressive person and a great musician, and we loved her!
As John says in his great Ballad to the Working Class Hero:


As soon as you’re born they make you feel small

By giving you no time instead of it all

Till the pain is so big you feel nothing at all

A working class hero is something to be

A working class hero is something to be

They hurt you at home and they hit you at school

They hate you if you’re clever and they despise a fool

Till you’re so fucking crazy you can’t follow their rules

A working class hero is something to be

A working class hero is something to be


Many of John’s poems and lyrics use his dialectical experiences of childhood in a progressive way. I guess there are very few who would understand the origins of these references in his or the other Beatles songs, but those of us close to John in childhood do in fact understand. The problem in many ways being that the bourgeois scriptwriters took over the script, after the Beatles became famous. I would argue that fame is a curse, which very few working people can cope with in our bourgeois democrat society.
So those of us who were close to John and still talk a lot to one another even today, can hardly recognise the image portrayed of our own childhood. A few years ago, at the urging of John’s childhood friends, I wrote, The Vanished World of a Woolton Childhood with John Lennon, which we put on “Age Concern UK” and “Beatles Ireland” websites . But it seemed only to encourage the fable making scriptwriters to rewrite our childhood to their own image. So I then after lots of discussion, I helped John’s sister, Julia Baird, to write Imagine This Growing up with my brother John Lennon published by Hodder in 2007 and also I helped Steve Turner write The Gospel According to The Beatles published by WJK in 2006.
But it has taken me a long time to make sense of my friend John’s life and death. I have rarely talked about John Lennon except for a July 2007 BBC Radio 4 interview, when I made a contribution to a documentary about the forthcoming 50th anniversary of the day the Beatles’ two main songwriters, John and Paul, met at St Peter’s Church Garden Fete in Woolton. I have also given an interview to BBC Radio Merseyside.
However I am very very proud of the fact that there is a statue unveiled by Fidel Castro, of my childhood mate John Lennon in Cuba! I will never be able to afford to go to Cuba and see the statue though I would truly love to see it! But it seems that the Cuban people have truly understood that the artist who was John Lennon had a universal message and a way of presenting what had baffled those of us who want to see a more humane democratic world. John it seems knew how to say these things in many of his lyrics and drawings. As kids we drew together I am often amazed how similar my own drawings even today are to John’s, but then childhood experiences last long into adulthood. But let me finish with another verse of John’s Hymn to Working Class Emancipation:


When they’ve tortured and scared you for twenty odd years

Then they expect you to pick a career

When you can’t really function you’re so full of fear

A working class hero is something to be

A working class hero is something to be.

Keep you doped with religion and sex and TV

And you think you’re so clever and class less and free

But you’re still fucking peasants as far as I can see

A working class hero is something to be

A working class hero is something to be

There’s room at the top they are telling you still

But first you must learn how to smile as you kill

If you want to be like the folks on the hill

A working class hero is something to be

A working class hero is something to be.


David Ashton ©